Bohemian rhapsody amp settings — Marshall Dsl1cr
The Queen guitar tone for “Bohemian rhapsody”, dialed in for a Marshall Dsl1cr with a Jet Js-400. Studio version, A Night at the Opera (1975) — Main Guitar Solo
Red Special (Burns Tri-Sonic pickups in series out-of-phase) -> Dallas Rangemaster treble booster -> cranked Vox AC30
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 4 |
| Mid | 8 |
| Treble | 6 |
| Reverb | 2 |
| Master | 6 |
01Fazley Vintage Vickey (Overdrive)
Used as a clean treble boost in front of the amp to push upper-mid bite into the Ultra Gain channel
02Dallas Rangemaster Style Treble Booster
RECOMMENDED — not owned
The Marshall DSL1CR's Ultra Gain channel supplies the heavy power-tube-style saturation that Brian May got from cranked AC30s, compensated with mids pushed to 8 and bass rolled back to 4 to prevent mud. The Fazley Vintage Vickey acts as your front-end treble boost with Drive low, Tone high, and Level pushed to tighten the low end and mimic a Dallas Rangemaster. Note that the DSL1CR lacks a physical Presence control, so upper-harmonic edge is shaped entirely via the pedal tone and amp treble knobs. Operatic heavy section: switch to bridge humbucker with tone on 10.
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