Tone library / Queen / Bohemian rhapsody

Bohemian rhapsody amp settings — M-vave Tank G

The Queen guitar tone for “Bohemian rhapsody”, dialed in for a M-vave Tank G with a Almeda Stratocaster. Studio version, A Night at the Opera (1975) — Main Guitar Solo

Original rig

Red Special (Burns Tri-Sonic pickups in series out-of-phase) -> Dallas Rangemaster / custom Treble Booster -> cranked Vox AC30 Normal channel

Mid-focused, singing, vocal lead tone with distinct upper-mid harmonic bite and smooth saturation
Amp settings — M-vave Tank G
CHANNELAMP Model: AC30 (Chime / UK 30) + 2x12 Alnico Blue IRBRIGHToffBOOSTon
GAIN 7 BASS 4 MID 8 TREBLE 6 REVERB 2 MASTER 7
KnobSetting (0–10)
Gain7
Bass4
Mid8
Treble6
Reverb2
Master7
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Guitar
PICKUPneck+middle TONE8 VOLUME10
Signal chain

01Tank-G Booster Block (Treble Boost emulation)

Placed before the amp block to push the front end into singing saturation

Gain 8 · Tone 7 · Level 8

02Tank-G Delay Block (Analog/Tape)

Subtle room-like slap to match the studio track ambience

Time 3 · Feedback 2 · Mix 2

03Tank-G Reverb Block (Hall/Room)

Gentle studio space ambience

Decay 3 · Tone 5 · Mix 3
Why these settings

The M-Vave Tank G's AC30 amp model combined with its onboard booster block replicates Brian May's classic Rangemaster-into-cranked-Vox rig without external pedals. We push the mids to 8 and keep the bass tight at 4 to emulate the focused mid-hump created by Tri-Sonic pickups running through a treble booster. On a standard Stratocaster, selecting neck+middle and rolling the tone knob slightly back to 8 closely approximates the hollow, vocal 'out-of-phase' character of the Red Special.

PRO TIPBrian May uses a British sixpence coin as a pick; use a thick, rigid pick (or the serrated edge of a coin) held close to the tip and strike the strings near the bridge to produce the signature chirping upper-harmonic bite.

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These settings are for a M-vave Tank G. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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