Bohamian rhapsody amp settings — Fender Mustang v2
The Queen guitar tone for “Bohamian rhapsody”, dialed in for a Fender Mustang v2 with a Fender Player Stratocaster. Studio version, A Night at the Opera (1975), Rockfield Studios
Brian May Red Special (homemade, out-of-phase pickups) → Dallas Rangemaster Treble Booster → Vox AC30 (Top Boost channel, cranked) with Deacy Amp for some layered parts
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 4 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 2 |
| Master | 6 |
01Zoom GFX2 Four — Treble Booster model (simulating Dallas Rangemaster)
The Rangemaster is THE Brian May sound — it boosts upper mids and adds gritty sustain. If no treble booster model exists on the Zoom, use a TS-style OD with tone at 8, gain at 3, level at 7
02Zoom GFX2 Four — Delay (tape-style or analog model)
Short slapback ~300ms adds depth to the solo sections; keep mix subtle
Brian May's Red Special has low-output, out-of-phase pickups into a cranked AC30 — your Strat's single coils are brighter and thinner. Compensate by pushing mids to 7 (AC30s are already mid-forward), rolling treble back slightly, and leaning heavily on the treble booster pedal for that singing sustain. The Mustang's Fender models are scooped compared to Vox, so the mid boost is critical. The amp gain stays low because the treble booster provides the grit.
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These settings are for a Fender Mustang v2. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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