Tone library / Pjnk floyd / Comfortably

Comfortably amp settings — Zoom G1 Four

The Pjnk floyd guitar tone for “Comfortably”, dialed in for a Zoom G1 Four with a Jackson Pro Series King V. Studio version, The Wall (1979) — Outro Solo (Solo 2)

Original rig

1969 Fender Stratocaster (DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> EHX 'Ram's Head' Big Muff Pi -> Electric Mistress / Yamaha RA-200 rotary cabinet -> Hiwatt DR103 100W head & WEM 4x12 cab

Singing, massive, high-sustain fuzz lead with scooped mid clarity and subtle swirling modulation
Amp settings — Zoom G1 Four
CHANNELHW STACK (Hiwatt Custom 100 model)BRIGHToffBOOSToff
GAIN 3 BASS 6 MID 5 TREBLE 5 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain3
Bass6
Mid5
Treble5
Reverb0
Master7
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Guitar
PICKUPbridge TONE9 VOLUME10
Signal chain

01Zoom G1 Four: Comp (MXR Dyna Comp model)

Smooths pick attack and feeds extra sustain into the fuzz

Sense 4 · Tone 5 · Level 7

02Zoom G1 Four: NYC Muff (EHX Big Muff model)

Primary gain source; keep tone around midpoint to avoid piercing high-end

Sustain 6 · Tone 5 · Level 6

03Zoom G1 Four: Chorus (Boss CE-style modulation)

Simulates the subtle swirling modulation of the Yamaha RA-200 rotary cab

Depth 4 · Rate 3 · Tone 5 · Level 6

04Zoom G1 Four: Delay (Digital Delay)

Set delay time to ~480ms with 3-4 soft repeats sitting behind the lead

Time 5 · F.B 4 · Mix 3
Why these settings

Because the Jackson King V has hotter, darker humbuckers compared to Gilmour's single-coil Strat, keep the NYC Muff tone at 5 and amp gain low at 3 so the low-end doesn't turn to mud. The HW STACK block provides clean Hiwatt headroom while the Zoom's onboard Muff block supplies all the saturation and singing sustain. To play the first solo instead, switch the guitar pickup position to neck and roll tone down to 7 for a warmer, flutey voice.

PRO TIPGilmour's sustain relies heavily on slow, wide, and controlled vibrato executed with the wrist—strike notes firmly with a heavy pick and hold the vibrato steady at the pitch peak rather than rushing.

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