Time amp settings — Fender Rumble LT25
The Pink Floyd guitar tone for “Time”, dialed in for a Fender Rumble LT25 with a Ibanez SR500E. Studio album cut, The Dark Side of the Moon (1973)
Fender Precision Bass (split-coil, passive) into console DI with Alan Parsons studio optical compression and EQ, alongside an Ampeg SVT/Hiwatt rig
| Knob | Setting (0–10) |
|---|---|
| Gain | 4 |
| Bass | 6 |
| Mid | 7 |
| Treble | 4 |
| Reverb | 0 |
| Master | 6 |
01Opto Compressor / Studio Comp (LT25 onboard FX block)
Use the onboard compressor block to recreate the Abbey Road optical compression
The Ibanez SR500E's active Bartolini pickups are brighter and faster in transient attack than Roger Waters' vintage passive P-bass. Run exclusively on the neck pickup, flip the mid-frequency switch to 400Hz or 700Hz with a slight mid boost on the bass EQ, and roll the passive tone/treble control down to tame top-end clank. The Rumble LT25's Vintage/Flip Top model delivers the warm tube-style bottom end, while pushing the amp's mid control to 7 adds the signature Abbey Road mix cut.
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These settings are for a Fender Rumble LT25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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