Time amp settings — Boss Katana 100 MkII
The Pink floyd guitar tone for “Time”, dialed in for a Boss Katana 100 MkII with a Fender American Professional II Stratocaster. Studio version, Dark Side of the Moon (1973) — solo section
1969 Fender Stratocaster (Black Strat, neck pickup) → Colorsound Power Boost → Dallas Arbiter Fuzz Face/Big Muff Pi → Hiwatt DR103 100W → WEM 4x12 Fane Crescendo cabs + Binson Echorec delay (~350-440ms)
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 5 |
| Mid | 4 |
| Treble | 6 |
| Presence | 6 |
| Reverb | 0 |
| Master | 7 |
01Katana Onboard: Brown Drive (built-in Booster)
Use the Katana's built-in Booster set to 'Clean' or 'Treble' type to emulate Colorsound Power Boost push
02Katana Onboard: Muff Fuzz (Boss Tone Studio effect)
Access via Boss Tone Studio — emulates Big Muff. Sustain moderate (not maxed) for singing sustain without mud. This is your primary gain source; amp gain stays low.
03Katana Onboard: Digital Delay
Set delay time to ~400ms. Warm repeats, not overpowering. Use 'Analog' or 'Tape' delay type in Tone Studio for warmer Echorec-style trails.
04Katana Onboard: Reverb (Hall)
Hall type, long decay (~2s). Mix moderate — adds space without washing out note definition.
The Katana's Brown amp type approximates British stack voicing (Hiwatt/Marshall territory). Gain is set low (3) because the Muff Fuzz effect is the primary saturation source — stacking amp gain with fuzz creates mud. The Hiwatt original was cranked for clean headroom, not preamp distortion. Your American Pro II Strat's V-Mod pickups are brighter than Gilmour's '60s units, so treble stays moderate at 6 rather than higher.
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These settings are for a Boss Katana 100 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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