comfotably numb amp settings — Boss Katana 50 MkII
The pink floyd guitar tone for “comfotably numb”, dialed in for a Boss Katana 50 MkII with a Gibson Les Paul Studio. Studio version, The Wall (1979) — main solo tone
Hiwatt DR103 head into WEM 4x12 cab, Electro-Harmonix Big Muff Pi (Ram's Head era), ProCo Rat, MXR Dynacomp, TC Electronic 2290 delay, Fender Stratocaster (Black Strat) with neck pickup
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 4 |
| Mid | 7 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 3 |
| Master | 0 |
01Katana Built-in Compressor
Engage via Tone Studio or panel — emulates the MXR Dynacomp squash that feeds Gilmour's sustain
02Katana Built-in Muff Fuzz (or DS-1 type as substitute)
RECOMMENDED — Big Muff Pi clone (EHX Big Muff Nano, ~$80) is essential for authentic Gilmour sustain. Katana's onboard Muff model in Tone Studio gets you 70% there
03Katana Built-in Digital Delay
Set delay time to ~380-440ms (dotted eighth feel). Gilmour's delay is prominent but sits behind the note
Your Les Paul's humbuckers are hotter and warmer than Gilmour's Strat single coils, so I dropped treble from what a Strat player would need and pushed mids +2 to compensate for the Katana's neutral voicing vs the Hiwatt's natural mid-forward compression. The Brown amp type approximates British crunch without the fizz of the Lead channel. Bass is restrained at 4 because humbuckers already deliver low-end thickness that would muddy the Muff-style gain.
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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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