Tone library / Pink Floyd / Comfortably Numb

Comfortably Numb amp settings — Zoom G3Xn

The Pink Floyd guitar tone for “Comfortably Numb”, dialed in for a Zoom G3Xn with a Fender Player Stratocaster. Studio version, The Wall (1979) — Outro Solo (Signature Part)

Original rig

1969 Black Strat (DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> 1974 EHX 'Ram's Head' Big Muff Pi -> 100W Hiwatt DR103 paired with Yamaha RA-200 rotating speaker

Singing, violin-like sustaining fuzz with smooth top end and rich rotary modulation
Amp settings — Zoom G3Xn
CHANNELHiwatt DR103 model (HW 100) + 4x12 Fane Cab IRBRIGHToffBOOSToff
GAIN 4 BASS 6 MID 7 TREBLE 5 PRESENCE 4 REVERB 2 MASTER 7
KnobSetting (0–10)
Gain4
Bass6
Mid7
Treble5
Presence4
Reverb2
Master7
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01DynaComp (Compressor block)

Squashes dynamics for endless sustain ahead of the fuzz

Sense 6 · Tone 5 · Level 7

02GreatMuff (Big Muff block)

Primary gain source; Tone rolled back to tame single-coil fizz

Sustain 7 · Tone 4 · Level 7

03TheVibe / Rotary (Modulation block)

Emulates the Yamaha RA-200 rotating speaker cabinet

Speed 3 · Depth 5 · Level 6

04Delay (Analog / Tape block)

Subtle quarter-note echo (~370ms) to widen the solo

Time 5 · Feedback 4 · Mix 3
Why these settings

The Fender Player Strat's stock bridge pickup is brighter than Gilmour's high-output DiMarzio FS-1, so the Muff Tone knob is trimmed to 4 and your guitar tone knob to 8 to avoid harshness. The HW 100 clean amp block provides massive Hiwatt-style headroom while the GreatMuff block generates all the violin sustain. Modulating via a slow Rotary/Vibe block recreates the lush depth of Gilmour's Yamaha RA-200 blend.

PRO TIPPick aggressively with a heavy plectrum right near the bridge saddle, and hit notes with wide, slow, deliberate wrist vibrato rather than fast finger shaking to let the sustain bloom.

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