Tone library / Pink Floyd / Comfortably numb

Comfortably numb amp settings — Zoom G3Xn

The Pink Floyd guitar tone for “Comfortably numb”, dialed in for a Zoom G3Xn with a Epiphone Les Paul Standard 60s. Studio version outro solo, The Wall (1979)

Original rig

Fender Stratocaster ('Black Strat' with DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> EHX 'Ram's Head' Big Muff Pi -> Hiwatt DR103 100W Head & Yamaha RA-200 rotary cabinet

Smooth, singing violin-like fuzz sustain with slight rotary swirl and long ambient decay
Amp settings — Zoom G3Xn
CHANNELHW 100 model + HW 4x12 cabBRIGHToffBOOSToff
GAIN 3 BASS 5 MID 7 TREBLE 5 PRESENCE 4 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain3
Bass5
Mid7
Treble5
Presence4
Reverb0
Master7
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Guitar
PICKUPbridge TONE9 VOLUME10
Signal chain

01Comp (Dyna Comp model)

Even sustain before fuzz

Sense 6 · Tone 5 · Level 7

02NYC Muff (EHX Big Muff model)

Primary gain source

Sustain 8 · Tone 5 · Level 7

03Chorus (Rotary/Chorus swirl)

Emulates the Yamaha RA-200 cabinet

Depth 3 · Rate 4 · Tone 5 · Level 6

04AnalogDly (Analog Delay model)

Set to approx 370ms with ~4 repeats

Time 5 · F.B 4 · Mix 4

05HD Hall (Reverb model)

Lush studio space

Decay 6 · Tone 4 · Mix 4
Why these settings

To compensate for the Epiphone Les Paul's thicker humbuckers compared to Gilmour's single-coil Strat, keep the Big Muff tone at 5 and pull the guitar tone knob to 9 to prevent low-end mud. The clean HW 100 amp model keeps the headroom wide while the NYC Muff block provides 100% of the singing sustain. Gentle chorus replaces the physical Yamaha rotary cabinet to add the essential late-70s spatial shimmer.

PRO TIPPick with a light grip using a thick, rounded pick slightly angled against the string, letting your index finger lightly touch the string edge to coax out smooth, controlled harmonic overtones on the long sustained bends.

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