Comfortably Numb amp settings — Zoom G2X Four
The Pink Floyd guitar tone for “Comfortably Numb”, dialed in for a Zoom G2X Four with a Henry's Bird Jr. Strat style. Studio version, The Wall (1979) — Outro Solo
1969 Fender Stratocaster (DiMarzio FS-1 bridge pickup) -> Pete Cornish pedalboard (MXR Dyna Comp, EHX Ram's Head Big Muff Pi, Pete Cornish ST-2 Treble and Bass Boost) -> Hiwatt DR103 100W Head into 4x12 WEM cabinet + Yamaha RA-200 rotary cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 0 |
| Master | 7 |
01D-Comp (Compressor block)
Placed first to even out pick attack and feed endless sustain into the fuzz
02NYC Muff (Big Muff fuzz block)
Primary gain source; tone backed off to prevent harshness
03RC Boost (Booster block)
Emulates the Pete Cornish ST-2 EQ/clean boost after the Muff to fatten mids
04Delay (Digital Delay block)
Quarter-note delay around 370ms to replicate the studio tape echo space
05Hall (Reverb block)
Subtle studio plate/hall wash at the end of the chain
The Zoom G2X Four replicates Gilmour's massive studio stack via the clean, headroom-heavy HIWATT103 model, keeping amp gain low at 3 so the NYC Muff block acts as the pure violin-like fuzz source without turning to mush. Because your Strat-style Henry's Bird Jr. has standard vintage single coils rather than Gilmour's overwound DiMarzio FS-1, roll your guitar's bridge tone knob down to 8 and keep the Muff's tone control at 4 to shave off harsh top-end sizzle. The post-fuzz booster block adds the crucial low-mid body that made the original Pete Cornish board sound gigantic through Hiwatts.
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These settings are for a Zoom G2X Four. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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