Tone library / Pink Floyd / Comfortably Numb

Comfortably Numb amp settings — Sonicake Pocket Master

The Pink Floyd guitar tone for “Comfortably Numb”, dialed in for a Sonicake Pocket Master with a Fender American Professional II Stratocaster. Studio version outro solo, The Wall (1979)

Original rig

Fender 'Black Strat' (DiMarzio FS-1 bridge) -> MXR Dyna Comp -> EHX 'Ram's Head' Big Muff Pi -> Hiwatt DR103 Custom 100 & Yamaha RA-200 rotary speaker

Smooth, singing violin-like fuzz sustain with slight rotary swirl and long ambient decay
Amp settings — Sonicake Pocket Master
CHANNELClean British / Hiwatt style amp model + 4x12 Cab IRBRIGHToffBOOSToff
GAIN 3 BASS 6 MID 7 TREBLE 5 REVERB 4 MASTER 7
KnobSetting (0–10)
Gain3
Bass6
Mid7
Treble5
Reverb4
Master7
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Guitar
PICKUPbridge TONE9 VOLUME10
Signal chain

01Compressor Block (Dynacomp style)

Even out attack and provide fundamental sustain into the fuzz

Sustain 7 · Level 7

02Muff / Fuzz Block (Ram's Head style)

Primary gain source; smooth high-gain saturation

Sustain 8 · Tone 5 · Volume 7

03Modulation Block (Chorus / Rotary style)

Simulates the Yamaha RA-200 rotary cabinet swirl

Rate 4 · Depth 3 · Level 5

04Delay Block (Analog / Tape style)

Set to around 370-400ms to create the spacious wall-of-sound solo trail

Time 5 · Feedback 5 · Mix 4
Why these settings

Keep the Sonicake's amp model clean and headroom-focused since the onboard Muff fuzz block handles all the clipping. Gilmour's signature sound comes from pushing mid frequencies into a clean Hiwatt platform, so keep mids pushed to 7 to prevent the fuzz from disappearing in the mix. Setting the modulation block to a slow, subtle rate captures the Yamaha RA-200 rotating speaker spread heard on the record.

PRO TIPPick with the side of your thumb grazing the string slightly as the pick strikes to coax out Gilmour's singing upper harmonics, and roll the Strat's bridge tone knob back to 9 to tame any harsh top-end fizz.

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