Comfortably Numb amp settings — Positive Grid Spark 40
The Pink Floyd guitar tone for “Comfortably Numb”, dialed in for a Positive Grid Spark 40 with a Fender Player Stratocaster. Studio version, The Wall (1979) — Outro Solo
1969 Black Stratocaster (DiMarzio FS-1 bridge pickup) -> EHX Ram's Head Big Muff Pi -> MXR Dyna Comp -> Pete Cornish ST-2 Boost -> Hiwatt DR103 (linked channels) + Yamaha RA-200 rotary cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Reverb | 4 |
| Master | 7 |
01Compressor block (Red Comp / Dyna Comp)
Evens out pick attack and increases sustain into the fuzz
02Drive block (Fuzz / Russian or Ram's Head Muff model)
Primary gain source for the singing violin-like fuzz lead
03Modulation block (Chorus / Flanger or Rotary)
Emulates Gilmour's blended Yamaha RA-200 rotary speaker
04Delay block (Digital Delay / Echo)
Quarter-note delay around 370ms to create Gilmour's signature expansive lead dimension
The Spark 40's Custom Hiway 103 model provides the clean, high-headroom platform required for David Gilmour's fuzz-first sound. Running the onboard Big Muff fuzz model into a clean amp setting keeps the gain singing without harsh clipping. Rolling the Strat bridge tone knob back to 8 removes the bite of standard Player Strat pickups to match Gilmour's fatter DiMarzio FS-1.
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These settings are for a Positive Grid Spark 40. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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