Comfortably numb amp settings — NUX MG-300
The Pink floyd guitar tone for “Comfortably numb”, dialed in for a NUX MG-300 with a Epiphone SG Standard. Studio version, The Wall (1979) — second solo (the famous one)
1969 Fender Stratocaster 'Black Strat' with DiMarzio FS-1 bridge pickup, Hiwatt DR103 100W head into WEM 4x12 with Fane Crescendos, MXR Dyna Comp, Electro-Harmonix Big Muff Pi (Ram's Head), Yamaha RA-200 rotary speaker for subtle modulation
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 5 |
| Mid | 6 |
| Treble | 5 |
| Presence | 5 |
| Reverb | 3 |
| Master | 6 |
01NUX MG-300 Compressor block
Emulates MXR Dyna Comp — evens dynamics and adds sustain before the fuzz
02NUX MG-300 Muff Fuzz block
Big Muff emulation — this is the primary gain source; tone at 6 keeps it smooth without ice-pick highs
03NUX MG-300 Chorus block
Slow, subtle modulation to emulate the Yamaha RA-200 rotary speaker warmth — not a swooshy chorus, just gentle movement
04NUX MG-300 Delay block
Analog delay type — approximately 380-440ms with moderate repeats for that spacious Gilmour ambience
Your SG's humbuckers are hotter and warmer than Gilmour's single-coil Strat with the FS-1, so roll the tone knob to 7 to tame the upper harmonics and keep the Muff fuzz from getting harsh. Mid bumped to 6 compensates for the SG's naturally scooped midrange vs the Strat's mid presence. The MG-300's Muff model handles the saturation — keep the amp model clean.
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These settings are for a NUX MG-300. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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