comfortably numb amp settings — m vave mk-300
The pink Floyd guitar tone for “comfortably numb”, dialed in for a m vave mk-300 with a Fender Player Stratocaster. Studio version outro solo, The Wall (1979)
Fender Stratocaster ('Black Strat' with DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> EHX 'Ram's Head' Big Muff Pi -> Hiwatt DR103 100W Head & Yamaha RA-200 rotary cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Reverb | 4 |
| Master | 7 |
01Compressor Block (Dyna Comp model)
Placed first in chain to even out dynamics and feed steady sustain into the fuzz
02Fuzz / Muff Block (Big Muff / Pi Fuzz model)
Primary gain source; smooth violin-like fuzz
03Modulation Block (Chorus / Rotary / Flanger model)
Emulates Gilmour's blended Yamaha RA-200 rotary speaker cabinet
04Delay Block (Digital / Tape Delay model)
Set to roughly 370ms-400ms for spatial Gilmour lead trails
Gilmour's iconic tone relies on a high-sustain fuzz pedal into a crystal-clean, high-headroom Hiwatt power section. The MK-300's clean amp model keeps the low-gain setting (3) to prevent digital clipping while the internal Big Muff block delivers all the singing fuzz saturation. A slight boost to the midrange compensates for the traditional Big Muff mid-scoop to cut through cleanly on a standard Strat bridge pickup. For the clean intro/verses: bypass the Fuzz block, leaving the compressor, modulation, and delay active.
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These settings are for a m vave mk-300. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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