Comfortably numb amp settings — Eko Baio
The Pink Floyd guitar tone for “Comfortably numb”, dialed in for a Eko Baio with a Yamaha Pacifica 112V. Studio version, The Wall (1979) — second solo tone
1969 Fender Stratocaster (DiMarzio FS-1 bridge) → MXR Dyna Comp → Electro-Harmonix Big Muff Pi (Ram's Head era) → Hiwatt DR103 100W (linked channels) with Yamaha RA-200 rotary speaker
| Knob | Setting (0–10) |
|---|---|
| Gain | 4 |
| Bass | 6 |
| Mid | 5 |
| Treble | 4 |
| Presence | 5 |
| Reverb | 4 |
| Master | 6 |
01Eko BAIO Compressor (built-in)
Replicates MXR Dyna Comp function — adds front-end sustain and evenness before dirt
02Eko BAIO Fuzz/Distortion (built-in)
Set to Fuzz or Muff-style voicing if selectable; Sustain lower than expected — Gilmour ran the Big Muff moderate, not maxed
03Eko BAIO Chorus (built-in)
Subtle rotary-style movement; approximates Yamaha RA-200 modulation
04Eko BAIO Delay (built-in)
Target 400-420ms delay time; 2-3 repeats fading; analog voicing preferred if available
The Eko Baio is a practice amp with built-in multi-FX, so all tone shaping happens via its internal effects chain. The Pacifica 112V's Alnico V bridge single-coil is brighter and lower-output than Gilmour's hot DiMarzio FS-1, so treble is dropped to 4 (vs original 5) and mid pushed to 5 to compensate for the thinner voice. Tone knob rolled to 7 to tame ice-pick highs the FS-1 would not produce. The fuzz/distortion block does the heavy lifting — keep amp gain moderate to avoid mud.
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These settings are for a Eko Baio. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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