Tone library / Pink Floyd / Comfortably Numb

Comfortably Numb amp settings — Boss Katana 50 MkII

The Pink Floyd guitar tone for “Comfortably Numb”, dialed in for a Boss Katana 50 MkII with a Yamaha Pacifica 112V. Studio version, The Wall (1979) — Outro Solo

Original rig

1969 Black Strat (DiMarzio FS-1 bridge pickup) -> EHX Ram's Head Big Muff Pi -> MXR Dyna Comp -> Pete Cornish ST-2 Boost -> Hiwatt DR103 (linked channels) + Yamaha RA-200 rotary cabinet

Singing, violin-like high-sustain fuzz lead with smooth top-end and lush space
Amp settings — Boss Katana 50 MkII
CHANNELClean amp typeBRIGHToffBOOSTon
GAIN 3 BASS 6 MID 7 TREBLE 5 REVERB 5 MASTER 6
KnobSetting (0–10)
Gain3
Bass6
Mid7
Treble5
Reverb5
Master6
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Onboard Booster (Muff Fuzz model)

Engage the Katana onboard red/orange Boost assigned to the Muff Fuzz

Drive 8 · Tone 5 · Level 7

02Onboard Delay (Digital Delay)

Set to roughly 370ms to replicate the tape delay reflections

Time 5 · Feedback 6 · Level 5

03Onboard Mod (Chorus / Rotary)

Emulates the rotating Yamaha RA-200 cabinet shimmer

Rate 4 · Depth 6 · Level 5
Why these settings

The Katana 50 MkII uses its Clean voice to emulate Gilmour's high-headroom Hiwatt DR103 platform while relying on the internal Muff Fuzz boost for primary saturation. Mids are boosted to 7 to compensate for the Big Muff's natural mid-scoop and ensure the Pacifica's bridge humbucker/single-coil cuts through without harshness. Roll the guitar tone knob slightly back to 8 to round off the bridge pickup's top-end bite into a smooth, violin-like sustain. First solo: switch to neck pickup and soften pick attack.

PRO TIPPick smoothly near the neck joint rather than right over the bridge to produce the warm, rounded attack characteristic of Gilmour's phrasing, letting the sustain bloom naturally.

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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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