Comfortably numb amp settings — Behringer V-tone gm108
The Pink Floyd guitar tone for “Comfortably numb”, dialed in for a Behringer V-tone gm108 with a Squier Affinity Stratocaster. Studio version, The Wall (1979) — Outro Solo
1969 Fender Stratocaster (DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> 1974 EHX 'Ram's Head' Big Muff Pi -> 100W Hiwatt DR103 linked input -> WEM 4x12 cab with Fane Crescendo speakers blended with Yamaha RA-200 rotating speaker cabinet and MXR digital delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Master | 6 |
01Behringer Ultra Metal UM300
Gain source — set Mid Freq around 1kHz and boost Mids to replicate the Ram's Head Big Muff singing violin sustain without harsh solid-state fizz
02Analog Delay / Digital Delay (e.g. Boss DD-3 or Behringer VD400)
RECOMMENDED — not currently owned (set delay time to ~480ms with 3-4 audible repeats for the iconic ambient space)
03Chorus / Rotary Speaker (e.g. Boss CE-2W)
RECOMMENDED — not currently owned (approximates the Yamaha RA-200 rotating speaker swirl)
The GM108 is placed on the Tweed Clean voice to emulate the high-headroom Hiwatt DR103 clean platform, dropping amp gain to 2 to prevent double-gain harshness. The Behringer UM300 acts as your gain engine: by pulling down the High control, bumping Lows, and pushing the parametric Mid around the center frequencies, it rounds off metal rasp into Gilmour's thick, violin-like Ram's Head fuzz sustain. Rolling the Squier bridge pickup's tone knob down to 8 further tames ceramic single-coil spikiness.
Get this tone on your amp
These settings are for a Behringer V-tone gm108. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.