Comfortable numb amp settings — Ampero Mini
The Pink Floyd guitar tone for “Comfortable numb”, dialed in for a Ampero Mini with a Schecter Omen 6. Studio version, The Wall (1979) - Outro solo
1969 Fender Stratocaster (Black Strat, DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> EHX Ram's Head Big Muff Pi -> 1973 Hiwatt DR103 100W Head & Yamaha RA-200 rotary cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 3 |
| Master | 7 |
01Compressor Block (Dyn/Comp model)
Even sustain and attack before fuzz
02Overdrive (Physical Owned Pedal)
Clean/mid boost into fuzz for Gilmour-style mid hump and tightening
03Fuzz Block (Muff / Pi Fuzz model)
Main fuzz saturation and endless singing sustain
04Chorus / Rotary Block (Rotary/Uni-V model)
Replicates the subtle Yamaha RA-200 rotating speaker spread
05Delay Block (Digital/Tape Delay model)
Set tempo around 380ms for spacious solo decay
The Schecter Omen 6 humbuckers have higher output and warmer mids than Gilmour's single-coil Strat, so the amp treble is set slightly higher to retain articulation while fuzz is dialed conservatively at 7 to prevent low-end mud. The Ampero Mini's clean Hiwatt model provides the high-headroom platform needed for the Big Muff block and physical overdrive stack to deliver full sustain without preamp flub. First verse/chorus clean tone: bypass the Fuzz block and physical overdrive while leaving the compressor, modulation, and delay active.
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