Tone library / Pink Floyd / Comfortable numb

Comfortable numb amp settings — Ampero Mini

The Pink Floyd guitar tone for “Comfortable numb”, dialed in for a Ampero Mini with a Schecter Omen 6. Studio version, The Wall (1979) - Outro solo

Original rig

1969 Fender Stratocaster (Black Strat, DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> EHX Ram's Head Big Muff Pi -> 1973 Hiwatt DR103 100W Head & Yamaha RA-200 rotary cabinet

Singing, creamy high-gain fuzz sustain with smooth top-end and subtle swirling rotary dimension
Amp settings — Ampero Mini
CHANNELHiwatt DR103 amp model (Clean/Normal) + 4x12 Fane Cab IRBRIGHToffBOOSToff
GAIN 3 BASS 6 MID 7 TREBLE 5 PRESENCE 4 REVERB 3 MASTER 7
KnobSetting (0–10)
Gain3
Bass6
Mid7
Treble5
Presence4
Reverb3
Master7
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Guitar
PICKUPbridge TONE9 VOLUME10
Signal chain

01Compressor Block (Dyn/Comp model)

Even sustain and attack before fuzz

Sustain 7 · Level 6

02Overdrive (Physical Owned Pedal)

Clean/mid boost into fuzz for Gilmour-style mid hump and tightening

Drive 2 · Tone 6 · Level 8

03Fuzz Block (Muff / Pi Fuzz model)

Main fuzz saturation and endless singing sustain

Fuzz 7 · Tone 5 · Level 7

04Chorus / Rotary Block (Rotary/Uni-V model)

Replicates the subtle Yamaha RA-200 rotating speaker spread

Rate 3 · Depth 4 · Mix 3

05Delay Block (Digital/Tape Delay model)

Set tempo around 380ms for spacious solo decay

Time 5 · Feedback 4 · Mix 4
Why these settings

The Schecter Omen 6 humbuckers have higher output and warmer mids than Gilmour's single-coil Strat, so the amp treble is set slightly higher to retain articulation while fuzz is dialed conservatively at 7 to prevent low-end mud. The Ampero Mini's clean Hiwatt model provides the high-headroom platform needed for the Big Muff block and physical overdrive stack to deliver full sustain without preamp flub. First verse/chorus clean tone: bypass the Fuzz block and physical overdrive while leaving the compressor, modulation, and delay active.

PRO TIPPick firmly with the meat of the pick close to the bridge for aggressive pinch harmonics on the bends, but use a wide, slow finger vibrato at the peak of each bend to let the Big Muff bloom into continuous sustain.

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