Tone library / Pink Floyd / Another brick in the wall

Another brick in the wall amp settings — Fender Tone Master Pro

The Pink Floyd guitar tone for “Another brick in the wall”, dialed in for a Fender Tone Master Pro with a Fender American Ultra Stratocaster. Studio version, The Wall (1979) — iconic guitar solo

Original rig

1955 Gibson Les Paul Goldtop (P-90 pickups), direct into console / Hiwatt DR103, Electro-Harmonix 'Ram's Head' Big Muff, MXR Dyna Comp, MXR digital delay

Creamy, highly sustained singing fuzz with scooped-yet-present vocal midrange and warm slap delay
Amp settings — Fender Tone Master Pro
CHANNELBritish 100W (Hiwatt DR103 model) + 4x12 Fane cab IRBRIGHToffBOOSToff
GAIN 3 BASS 6 MID 5 TREBLE 6 PRESENCE 4 REVERB 2 MASTER 7
KnobSetting (0–10)
Gain3
Bass6
Mid5
Treble6
Presence4
Reverb2
Master7
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Guitar
PICKUPneck TONE7 VOLUME10
Signal chain

01Dyna Comp / Compressor Block

Placed first to even out pick attack and feed endless sustain into the fuzz

Output 7 · Sensitivity 6

02Ram's Head / Triangle Fuzz Block

Primary gain source; Tone Master Pro's onboard vintage fuzz model

Volume 7 · Tone 5 · Sustain 8

03Digital Delay Block

Set to roughly 440ms with 3-4 subtle repeats to replicate the studio console echo

Time 4 · Feedback 3 · Mix 3
Why these settings

The iconic solo was tracked using a 1955 Les Paul with P-90s direct into the board and re-amped, yielding a rounder, thicker attack than a typical Strat bridge pickup. On your Ultra Strat, use the neck pickup with tone dialed back to 7 to replicate the fat, vocal warmth of Gilmour's neck P-90 without piercing high end. Keep the Tone Master Pro's British 100W amp model clean at gain 3 so the virtual Ram's Head fuzz provides the pure creamy saturation. Rhythm funk part: bypass the fuzz and delay, select bridge+middle pickup, and run the compressor clean into the amp.

PRO TIPPick close to the middle pickup rather than the bridge using a heavy teardrop pick, and dig into slow whole-step and 1.5-step bends with wide, deliberate finger vibrato to let the compressor and fuzz bloom naturally.

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These settings are for a Fender Tone Master Pro. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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