Another brick in the wall amp settings — Boss Katana 50 MkII
The Pink floyd guitar tone for “Another brick in the wall”, dialed in for a Boss Katana 50 MkII with a Fender American Professional II Stratocaster. Studio version, The Wall (1979) — rhythm/lead parts and iconic solo
Hiwatt DR103 100W head, WEM Super Starfinder 4x12 cab, Black Strat (DiMarzio FS-1 bridge), Gibson Les Paul Goldtop P-90s (solo), Big Muff Pi, MXR Dyna Comp, MXR Digital Delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 6 |
| Reverb | 3 |
| Master | 7 |
01Katana Onboard Compressor (Boss Comp)
Emulates MXR Dyna Comp — subtle sustain, not squashed
02Katana Onboard Muff Fuzz (BOSS Tone Studio)
Big Muff emulation — this is your primary gain source; keep amp gain LOW
03Katana Onboard Digital Delay
Set delay time around 370-440ms; moderate repeats for spacious ambience
Hiwatt DR103s are clean, loud, and mid-forward with tight bass—the Katana Crunch type at low gain approximates this platform. The Big Muff provides ALL the saturation; amp gain stays at 3 to avoid mud. Katana's Crunch voice has similar mid presence to a Hiwatt; boosted mids to 7 compensate for the Strat's natural scoop vs the P-90 Les Paul used on the solo.
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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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