Salando las Heridas amp settings — Marshall Avt50x
The Patricio Rey y sus Redonditos de Ricota guitar tone for “Salando las Heridas”, dialed in for a Marshall Avt50x with a Epiphone Lp100. Studio version, La mosca y la sopa (1991)
Gibson Les Paul / Yamaha SG + Marshall JCM800 / 2203 / Studio preamp & Boss pedals (SD-1/OD-1, CE-2)
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Reverb | 2 |
| Master | 5 |
01Joyo Gem box 2 (Drive Block: TS / Screamer Model)
In front of amp to tighten the bass and push upper-mids
The AVT50X Overdrive channel carries Marshall valve-state mid-bite, matching Skay's JCM800 crunch nicely without needing high volume. Using the Joyo's TS drive block as a clean boost tightens the ceramic humbuckers on the LP100 and sharpens the pick attack. Reverb is kept subtle on the amp to recreate the Del Cielito studio room sound.
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These settings are for a Marshall Avt50x. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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