All I wanted was you amp settings — Fender Scream 90
The Parmore guitar tone for “All I wanted was you”, dialed in for a Fender Scream 90 with a Fender Player Plus Stratocaster. Studio version, Brand New Eyes (2009)
Marshall JCM2000 DSL/TSL, Gibson Les Paul / Fender Telecaster Deluxe (humbuckers), Boss Blues Driver, MXR Distortion III, Boss Giga Delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 5 |
| Bass | 4 |
| Mid | 7 |
| Treble | 5 |
| Presence | 5 |
| Reverb | 2 |
| Master | 6 |
01Overdrive (TS-style or Blues Driver clone)
RECOMMENDED — not currently owned. Essential for matching the JCM2000 push with single coils. A Boss BD-2 or Ibanez TS9 will get you there. Without this pedal, push amp gain to 7 and accept thinner saturation.
The Fender Scream 90 is a solid-state practice amp with limited headroom compared to the original's tube JCM2000. Your Strat's single coils are lower output and brighter than the original humbuckers—compensate by boosting mids +2 over the original settings (8 becomes 7 here relative to Fender voicing), rolling treble back from 6 to 5, and cutting bass by 1 to avoid flub. Without an OD pedal, you will not achieve the compressed, harmonically-rich saturation of the recording; the amp's gain alone will sound thinner and buzzier.
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These settings are for a Fender Scream 90. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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