The art of shredding amp settings — Fender Mustang LTX100
The Pantera guitar tone for “The art of shredding”, dialed in for a Fender Mustang LTX100 with a Ibanez Jem jr. Studio version, Cowboys from Hell (1990)
Dean ML with Bill Lawrence L-500XL bridge humbucker → Furman PQ-3 Parametric EQ → MXR 6-Band Graphic EQ → Boss Noise Gate → Randall RG100ES solid-state head → Randall 4x12 with Celestion G12T-75 speakers
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 6 |
| Mid | 2 |
| Treble | 8 |
| Presence | 10 |
| Reverb | 0 |
| Master | 6 |
The Fender Mustang LTX is voiced more neutral than the Randall RG100ES solid-state's brutal midrange scoop. To compensate, mids are set to 2 (Dimebag's original was 3 with additional parametric EQ scooping at 800Hz), and presence is maxed at 10 to replicate the glassy, cutting top-end. The Jem Jr's Quantum humbuckers are lower-output than the Bill Lawrence L-500XL, so gain is set to 8 to match the original's aggressive saturation. Select the 'Metal' or 'British Metal' amp model on the Mustang LTX for tight low-end response.
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These settings are for a Fender Mustang LTX100. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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