Primal concrete sledge amp settings — Roland 80X
The Pantera guitar tone for “Primal concrete sledge”, dialed in for a Roland 80X with a Dean Custom zone 2. Studio track, Cowboys from Hell (1990)
Dean ML (Bill Lawrence L500XL / DiMarzio Super Distortion) -> MXR 6-Band Graphic EQ -> Furman PQ-3 / PQ-4 -> Randall RG100ES / RG100HT solid-state head -> Randall 4x12 cab (Celestion G12H-100)
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 5 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 4 |
01MXR Fullbore Metal
Engage the built-in Gate button and Scoop button
Because the MXR Fullbore Metal is an aggressive high-gain distortion pedal acting as the primary gain and EQ engine, the Cube-80X is set to its pristine JC Clean channel with amp gain kept low (2) to avoid double-gain mush. Dimebag achieved his razor-sharp attack using solid-state Randall amps and deep parametric mid-cuts; setting the Fullbore's Mid to 2 with the Scoop switch engaged and Freq around 1 o'clock mirrors his Furman PQ-4 and MXR 6-band EQ scoop. Highs are kept prominent on both the pedal and amp to capture the iconic brittle top-end bite of Cowboys from Hell.
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These settings are for a Roland 80X. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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