Tone library / Pantera / I'm Broken

I'm Broken amp settings — Fender Mustang GT100

The Pantera guitar tone for “I'm Broken”, dialed in for a Fender Mustang GT100 with a B.C rich Warlock NJ series. Studio version, Far Beyond Driven (1994)

Original rig

Randall RG100ES solid-state head, Dean ML (bridge humbucker) or Gibson Les Paul, Furman PQ-3 parametric EQ for mid-scoop, MXR Flanger/Chorus, Dunlop Cry Baby Wah, DigiTech Whammy

Heavily scooped, tight low-end, aggressive high-gain with razor-sharp pick attack and compressed sustain
Amp settings — Fender Mustang GT100
CHANNELMetal 2000 amp modelBRIGHToffBOOSToff
GAIN 8 BASS 7 MID 3 TREBLE 7 PRESENCE 6 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain8
Bass7
Mid3
Treble7
Presence6
Reverb0
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Noise Gate (Mustang built-in)

Essential for tight palm mutes — Dimebag's tone required gating to keep the low-end tight

Threshold 4

02Graphic EQ (Mustang built-in)

Mimics Dimebag's Furman PQ-3 mid-scoop — cut 400-800Hz hard, boost highs for definition

100Hz 6 · 200Hz 5 · 400Hz 3 · 800Hz 2 · 1.6kHz 4 · 3.2kHz 7 · 6.4kHz 6
Why these settings

The Mustang GT100's Metal 2000 model approximates high-gain solid-state aggression similar to Dimebag's Randall. Your Warlock's humbuckers have hot output close to Dimebag's Dean, so no gain compensation needed. The key is the mid-scoop via the built-in graphic EQ — Dimebag's signature sound came from external EQ units cutting 400-800Hz drastically. Fender modeling amps are naturally mid-scooped already, so the amp EQ mid at 3 plus the graphic EQ cut gets you there.

PRO TIPTune to Drop D. Dimebag's pick attack was critical — use a heavy pick (1.0mm+), angle it slightly, and strike the strings with authority right above the bridge pickup. His palm mutes sat directly on the saddles for maximum tightness.

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These settings are for a Fender Mustang GT100. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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