Floods amp settings — Line 6 Spider V 20 mk 2
The Pantera guitar tone for “Floods”, dialed in for a Line 6 Spider V 20 mk 2 with a Epiphone Les Paul Standard 60s. Studio album version, The Great Southern Trendkill (1996) — iconic solo tone
Washburn Dime 333 / ML (Bill Lawrence L-500XL) -> Furman PQ-3 -> MXR 6-Band Graphic EQ -> Randall Century 200 II Solid-State Head -> Randall 4x12 Jaguar cabs
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 5 |
| Treble | 5 |
| Reverb | 0 |
| Master | 6 |
01Valeton GP-100: EQ Block (Parametric EQ)
Placed before the amp block to simulate Dime's Furman PQ-3 pushing upper-mid grind into the preamp
02Valeton GP-100: Amp Model Block (US Higain / Soloist)
Acts as the primary high-gain solid-state/lead engine; mid scoop dialed on the amp model EQ
03Valeton GP-100: Delay Block (Analog / Tape Delay)
Post-gain delay (~450ms) for the signature spacious, singing solo sustain
04Valeton GP-100: Reverb Block (Hall Reverb)
Simulates the deep studio room ambience of the Floods outro
The Valeton GP-100 acts as your full preamp and multi-FX engine, so the Spider V 20 is kept on its cleanest setting with flat EQ to avoid double-gain muddiness. The pre-gain parametric EQ block boosts upper-mids (around 1.5-2kHz) while the amp model scoops overall post-gain mids to recreate Dime's signature razor-sharp Randall bite. With your Les Paul's passive humbuckers having less ultra-high treble bite than an L-500XL, keep the guitar tone wide open and push high-end treble on the modeler. Clean intro: bypass the Valeton drive/amp blocks and play through the clean channel with light delay/reverb.
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These settings are for a Line 6 Spider V 20 mk 2. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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