Floods amp settings — Harley benton Dnafx amp20
The Pantera guitar tone for “Floods”, dialed in for a Harley benton Dnafx amp20 with a harley benton hwy-25bks progressive series. Studio version, The Great Southern Trendkill (1996) — iconic melodic solo section
Randall RG-100ES solid-state head, Washburn Dime 333 with Bill Lawrence L-500XL (bridge) and Seymour Duncan '59 (neck), Korg ToneWorks AX30G for chorus/delay, EQ pedal
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 3 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 1 |
| Master | 5 |
01Behringer OD300 Overdrive/Distortion
Set to clean boost / light OD mode — use to add sustain and push the amp's gain stage, not as primary distortion. The amp provides the saturation.
02Analog Chorus
Subtle, slow chorus to add dimension and width to the solo tone — do not overdo it. Dimebag's chorus was barely perceptible, more 'shimmer' than obvious warble.
03Delay (RECOMMENDED — not currently owned)
RECOMMENDED — A basic digital delay (Boss DD-3 style or built-in DNAFX delay if available). Set around 300ms with low repeats for slapback sustain. If your DNAFX has onboard delay, use it here instead of buying a pedal.
Your Harley Benton HWY-25BKS has high-output humbuckers similar to Dimebag's hot pickups, so gain translation is close. The DNAFX is a modeling unit — select a high-gain amp model (Mesa Rectifier or similar). Dimebag's Randall solid-state had a tight, scooped character; compensate by keeping mids at 3 (scooped) and bass/treble balanced. Your amp's digital voicing will be slightly smoother than the original's solid-state bite — the OD300 on light boost helps restore edge.
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These settings are for a Harley benton Dnafx amp20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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