Cowboys from Hell amp settings — Mooer Hornet 30W black
The Pantera guitar tone for “Cowboys from Hell”, dialed in for a Mooer Hornet 30W black with a Harley benton Rx-10 bk rock series. Studio version, Cowboys From Hell album (1990)
Randall RG100H solid-state head, Dean ML 'From Hell' with Bill Lawrence XL500 bridge pickup, Furman PQ-3 parametric EQ, MXR 6-Band Graphic EQ, Rocktron Hush noise gate
| Knob | Setting (0–10) |
|---|---|
| Gain | 10 |
| Bass | 8 |
| Mid | 2 |
| Treble | 8 |
| Presence | 7 |
| Reverb | 0 |
| Master | 5 |
01Noise Gate (RECOMMENDED — not currently owned)
RECOMMENDED — not owned. Essential for this tone; high gain + scooped mids creates noise. A Boss NS-2 or TC Sentry would work. Place before amp input.
02Graphic EQ (RECOMMENDED — not currently owned)
RECOMMENDED — not owned. Dimebag's tone relied heavily on pre-amp EQ sculpting. A Boss GE-7 or MXR 6-Band approximates the MXR/Furman combo. Set volume/level knob to 8 for gain boost.
The Mooer Hornet is a budget modeling amp with less headroom and gain saturation than the Randall RG100H solid-state. Compensate by maxing gain and pushing treble +1 over typical settings because the Hornet's voicing is darker. The HB RX-10's ceramic humbuckers are hotter and muddier than the Bill Lawrence XL500, so mids are dropped to 2 (vs Dime's amp setting of 3) to maintain the characteristic scoop. Without the external EQ pedals Dime used, you will lack the extreme high-frequency boost that gave his tone its 'chainsaw' edge—the recommended GE-7 addresses this.
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These settings are for a Mooer Hornet 30W black. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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