Cemetery gates amp settings — Mackintec Maxx 15
The PANTERA guitar tone for “Cemetery gates”, dialed in for a Mackintec Maxx 15 with a Epiphone Les Paul Classic. Studio version, Cowboys from Hell (1990) — Solo/lead section
Dean ML (Bill Lawrence L500XL bridge pickup) -> Dunlop Cry Baby Wah -> Digitech Whammy -> Furman PQ-3 / MXR 6-Band EQ -> Randall RG100ES solid-state head (boosted) -> Lexicon MPX-1 (delay/reverb in loop)
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 7 |
| Mid | 3 |
| Treble | 8 |
| Master | 5 |
01Cuvave Cube Baby (Preamp / Amp Simulation Block)
Select high-gain US/Metal preamp voice (Model 8/9); serves as the main high-gain distortion stage
02Cuvave Cube Baby (Delay Block)
Lead delay for solo ambience (~380ms subtle repeat)
03Cuvave Cube Baby (Reverb Block)
Studio space reverb
Because the Mackintec Maxx 15 is a basic solid-state practice amp lacking modern high-gain distortion and a presence control, keep it parked on its clean channel with low gain (2) and let the Cube Baby act as your primary high-gain solid-state preamp. The amp EQ is set with mids scooped to 3 and treble pushed to 8 to recreate Dimebag's signature Randall solid-state bite and harmonic response. Clean intro/verse: bypass the Cube Baby preamp block or switch to a clean preset with chorus.
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These settings are for a Mackintec Maxx 15. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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