Cemetery Gates amp settings — Boss Katana 100 MkII
The Pantera guitar tone for “Cemetery Gates”, dialed in for a Boss Katana 100 MkII with a Fender Player Telecaster. Studio version, Cowboys from Hell (1990) — clean intro arpeggio section (the iconic fingerpicked part)
Roland JC-120 Jazz Chorus (clean), Washburn N4 with Bill Lawrence L-500XL bridge humbucker and Seymour Duncan SH-1 neck humbucker — neck pickup used for clean intro
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 5 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 3 |
01Boss Katana built-in Chorus (CE-1 type)
Enable via Katana panel or Tone Studio — emulates JC-120's onboard chorus
Original uses JC-120's naturally warm, scooped clean with built-in chorus. Katana Clean type is more Fender-voiced (brighter, less mid-warmth), so bass +0.5 and treble -1 vs original JC settings to compensate. Your Tele single-coil neck is brighter and lower output than Dimebag's humbucker — rolling tone to 7 warms it and adds body closer to the humbucker's fundamental.
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These settings are for a Boss Katana 100 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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