Cemetary Gates amp settings — kustom KGA10
The Pantera guitar tone for “Cemetary Gates”, dialed in for a kustom KGA10 with a Fender Player Stratocaster. Studio version, Cowboys from Hell (1990) — clean intro/arpeggiated riff section
Dean ML (Seymour Duncan '59 neck pickup) → Furman PQ-3 Parametric EQ → MXR 6-Band EQ → Randall RG100ES (clean channel, spring reverb)
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 4 |
| Mid | 3 |
| Treble | 6 |
| Presence | 0 |
| Reverb | 0 |
| Master | 5 |
01Zoom MS-50G+ Parametric EQ block
Simulates the Furman PQ-3 mid-scoop — cut 800Hz area, boost high-end sparkle
02Zoom MS-50G+ Spring Reverb block
Subtle spring reverb — Dime's Randall had built-in spring; keep it understated
Your Strat's single-coil neck pickup is brighter and lower-output than Dime's '59 humbucker. Treble pushed to 6 on the Kustom compensates for the Strat's natural brightness working against you here — roll tone knob to 7 to tame ice-pick highs. The MS-50G+ parametric EQ block is critical to replicate the scooped, sculpted character Dime got from his outboard EQs. The Kustom KGA10 is a basic practice amp with limited headroom, so keep gain low and let the EQ pedal do the tonal heavy lifting.
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These settings are for a kustom KGA10. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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