10s amp settings — fender princeton chorus 250
The pantera guitar tone for “10s”, dialed in for a fender princeton chorus 250 with a Gibson Les Paul Standard 60s. Studio version, The Great Southern Trendkill (1996)
Washburn Dime 333 Dimebolt (Bill Lawrence L-500XL bridge) → MXR Flanger/Doubler → Furman PQ-3 Parametric EQ → MXR 6-Band EQ → Randall RG-100ES solid-state head
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 7 |
| Mid | 3 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 5 |
01High-Gain Distortion Pedal (RECOMMENDED — Boss MT-2 or MXR Super Badass)
RECOMMENDED — not currently owned. Essential for Dimebag's tone. The Princeton Chorus is a clean platform amp and cannot produce this gain level on its own. This pedal becomes your primary distortion source.
02Chorus (owned)
Use as flanger substitute. Dimebag used MXR Flanger/Doubler always on for thickness and swirl. Your chorus approximates the modulation but lacks the jet-sweep. Set subtle — this adds width, not obvious wobble.
03Wah (owned)
Not used on this track. Leave off or parked heel-down if you want slightly darker filtering.
The Princeton Chorus is a clean solid-state amp with scooped Fender voicing — it cannot produce Dimebag's saturation without a high-gain pedal. Amp gain set to 3 keeps the platform clean so the distortion pedal handles all grit. Mids dropped to 3 to match Dimebag's signature scoop; bass raised to 7 for the tight low-end thump. Your Les Paul's humbuckers are hotter than the L-500XL, so the distortion pedal gain at 8 (not 10) prevents mud.
Get this tone on your amp
These settings are for a fender princeton chorus 250. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.