No more tears amp settings — Behringer Acoustic
The Ozzy osbourne guitar tone for “No more tears”, dialed in for a Behringer Acoustic with a Eko St100. Studio version, No More Tears (1991) — Main Riff
Marshall JCM800 2203 100W (6550 tubes), Gibson Les Paul Custom (EMG 81/85), Boss SD-1 (Level 10, Drive 0), Boss CH-1
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 5 |
| Treble | 5 |
| Reverb | 0 |
| Master | 6 |
01Vox ToneLab EX (Pedal Block: SD-1 / Overdrive)
Tightens low-end and boosts signal into the amp model, mimicking Zakk's SD-1
02Vox ToneLab EX (Amp Model: UK 80s / JCM800)
Primary gain source; pair with 4x12 cab model to handle the acoustic amplifier's full-range speaker
03Vox ToneLab EX (Modulation: Classic Chorus)
Always-on subtle chorus doubling effect
Because the Behringer Acoustic is a clean, full-range platform, the entire Marshall JCM800 tone stack, speaker emulation, and drive staging must run directly inside the ToneLab EX. The Eko ST100 has passive single-coil pickups compared to Zakk's hot active EMG 81, so the ToneLab's amp gain and overdrive level are bumped up to compensate for lower guitar output. Keep the acoustic amp EQ flat to prevent high-frequency piezo fizz. Clean verse: roll back guitar volume to 4 or click ToneLab to a clean patch.
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These settings are for a Behringer Acoustic. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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