Crazy train amp settings — B.c rich BCL10
The Ozzy Osbourne guitar tone for “Crazy train”, dialed in for a B.c rich BCL10 with a Harley Benton ST-20LH. Studio version, Blizzard of Ozz (1980)
1974 Gibson Les Paul Custom, Marshall JMP 1959 Super Lead 100W, MXR Distortion+ (Output: 10, Distortion: 4), MXR Ten Band Graphic EQ (heavy 500Hz mid boost)
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 3 |
| Mid | 8 |
| Treble | 7 |
| Presence | 0 |
| Reverb | 0 |
| Master | 5 |
01MXR Distortion+ or similar OD/Distortion
RECOMMENDED — not currently owned. This pedal is essential to the Rhoads tone; the amp alone cannot replicate the tight, articulate grit. A Boss DS-1, DOD 250, or any medium-gain distortion pedal will get you close.
The BC Rich BCL10 is a basic solid-state practice amp without the Marshall mid-forward voicing or tube compression. Rhoads ran his Marshall relatively clean and used the MXR Distortion+ for grit — without that pedal, you must crank the amp's gain to compensate, but the tone will be fuzzier and less defined. I pushed mids to 8 to emulate the heavy 500Hz EQ boost Rhoads used, and kept bass at 3 to prevent mud on a small speaker. Your Harley Benton's single coils are brighter and lower output than his Les Paul humbuckers, so the gain increase also compensates for that.
Get this tone on your amp
These settings are for a B.c rich BCL10. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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