The Title Track amp settings — Line 6 Spyder V Mk20 II
The Origami Angel guitar tone for “The Title Track”, dialed in for a Line 6 Spyder V Mk20 II with a Harley Benton Fusion-III HH. Studio version, Somewhere City (2019)
Ryland Heagy uses a custom signal-splitting rig with multiple effects processors; guitar likely a humbucker-equipped instrument through overdrive/distortion into a clean-ish amp platform with octave effects for bass frequencies. Specific amp model unconfirmed but tone suggests JCM800-style voicing or modeler.
| Knob | Setting (0–10) |
|---|---|
| Gain | 5 |
| Bass | 4 |
| Mid | 5 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 1 |
| Master | 5 |
The Spider V's Insane/Metal channels have aggressive high-gain voicing; pulling gain to 5 keeps the tight, defined attack Origami Angel uses rather than saturated mush. Treble at 7 captures the bright, cutting math-rock clarity. Your Fusion-III's ceramic humbuckers are hot, so gain stays moderate to preserve note separation on fast riffs.
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These settings are for a Line 6 Spyder V Mk20 II. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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