Tone library / Oasis / Cigarettes & Alcohol (Remastered)

Cigarettes & Alcohol (Remastered) amp settings — Marshall Valvestate 2000

The Oasis guitar tone for “Cigarettes & Alcohol (Remastered)”, dialed in for a Marshall Valvestate 2000 with a Epiphone Les Paul custom. Studio version, Definitely Maybe (1994) — Monnow Valley/Sawmills sessions

Original rig

Gibson Flying V (Johnny Marr's loaner) and Epiphone Les Paul Standard → Marshall JCM900 head into 4x12 cab — no pedals on the main riff tone, pure amp crunch

Thick mid-forward crunch with articulate attack, punchy low end, classic 90s Britpop drive — not overly gained, dynamic and open
Amp settings — Marshall Valvestate 2000
CHANNELOD1 (Overdrive 1)BRIGHToffBOOSToff
GAIN 6 BASS 5 MID 7 TREBLE 6 PRESENCE 5 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain6
Bass5
Mid7
Treble6
Presence5
Reverb0
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Boss ME-25 — OD/DS section (TS-style or Natural OD)

BYPASS THIS — the original recording used no pedals for the main tone. Your Valvestate OD channel provides the gain. Only use the ME-25 for tuner or as a clean boost if you need more push at lower volumes.

Drive 0 · Tone 5 · Level 5
Why these settings

The JCM900 and Valvestate 2000 share Marshall's mid-forward voicing, so translation is direct. Your Valvestate's solid-state power section is tighter than the JCM900's tube sag — I've pulled gain back to 6 (vs a JCM900 at 7-8) to avoid harshness and kept mids at 7 to nail that Britpop bark. The recording is bone dry — zero reverb, zero effects on the riff.

PRO TIPGallagher's attack on this track is aggressive downstrokes with the pick angled slightly — dig in hard on the E and A strings for that percussive chunk. Roll your guitar's tone knob to 8 to tame the Valvestate's solid-state high-end bite without losing definition.

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These settings are for a Marshall Valvestate 2000. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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