Tone library / Nirvana / Heart shapped box

Heart shapped box amp settings — Crate Bx-50

The Nirvana guitar tone for “Heart shapped box”, dialed in for a Crate Bx-50 with a Scorpion Ps28. Studio version, In Utero (1993), Steve Albini recording

Original rig

Fender Jaguar (DiMarzio humbuckers) → Boss DS-2 Turbo Distortion → Mesa Boogie Studio .22 preamp → Crown power amp

Dark, murky clean verses; aggressive scooped distortion on chorus with grinding midrange bite
Amp settings — Crate Bx-50
BRIGHToff
GAIN 3 BASS 7 MID 4 TREBLE 5 PRESENCE 4 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain3
Bass7
Mid4
Treble5
Presence4
Reverb0
Master6
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Guitar
PICKUPbridge TONE6 VOLUME10
Signal chain

01Sans Amp (as DS-2 substitute)

Engage for chorus/heavy sections only. Scoop mids and push drive hard to approximate DS-2 Turbo mode. This is your primary gain source.

Level 6 · Low 7 · Mid 3 · High 5 · Drive 7

02Small Clone

Cobain used chorus sparingly on this track. Keep depth switch OFF (shallow). Use on clean verses for subtle width if desired, or bypass entirely for authenticity.

Rate 4 · Depth 0
Why these settings

The Crate BX-50 is a bass combo amp with limited guitar voicing—it will sound dark and woolly, which actually suits the murky In Utero aesthetic. Keep amp gain LOW (3) because the Sans Amp is your distortion source; stacking gain stages will create mud. Roll tone knob to 6 on guitar to tame the harsh high-mids the Sans Amp can produce through a bass speaker.

PRO TIPCobain's attack on this song is deliberately loose and behind the beat on verses, then digs in hard with downstrokes on the chorus power chords. The dynamics between soft/loud define this tone more than any pedal—practice the volume contrast with your picking hand, not your gear.

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These settings are for a Crate Bx-50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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