Drain You (Live at The Paramount, 1991) amp settings — Flamma FG-200
The Nirvana guitar tone for “Drain You (Live at The Paramount, 1991)”, dialed in for a Flamma FG-200 with a Gusta GLP-05C. Live at The Paramount, Seattle, October 31, 1991 — from the iconic concert film
Fender Mustang (SD JB humbucker) → Boss DS-1 → EHX Small Clone → Mesa/Boogie Studio Preamp (clean) → Crown Power Base 2 → Marshall 1960A 4x12
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 5 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 7 |
01Flamma FG-200 Distortion Block (DS-1 type)
This is the PRIMARY gain source — Kurt's DS-1 was maxed on distortion with the tone rolled way back (8 o'clock position = dark/filtered). Enable the DS-1 or 'Distortion' effect block in the FG-200
02Flamma FG-200 Chorus Block (Small Clone type)
Subtle watery chorus — engaged during verses for width, can bypass for tighter chorus sections
The FG-200 is a modeling unit — select a clean-ish American high-gain model and keep the amp gain at 2-3 since the DS-1 block provides ALL the saturation. Your GLP-05C has humbuckers vs Kurt's JB-modded Mustang, so the output is comparable, but roll tone to 7 to tame the LP's natural brightness. The original amp was literally a clean preamp into a solid-state power section — the grunge tone came entirely from the DS-1 pedal.
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