Come as you are amp settings — Harley Benton HR-20R
The Nirvana guitar tone for “Come as you are”, dialed in for a Harley Benton HR-20R with a Harley Benton BS-20BK. Studio version, Nevermind (1991) — iconic watery clean intro riff
1965 Fender Jaguar / 1969 Mustang (single-coil neck) -> EHX Small Clone chorus -> Mesa/Boogie Studio Preamp / Vox AC30 (clean)
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 5 |
| Treble | 5 |
| Reverb | 2 |
| Master | 4 |
01Electro-Harmonix Small Clone (Chorus)
RECOMMENDED — not currently owned; essential for the watery signature modulation
Set the HR-20R to the Clean channel with low gain to keep the tone pristine and round. The humbuckers on the BS-20BK are darker and hotter than Cobain's single-coil Mustang, so roll tone back slightly to 8 while keeping amp mids neutral to prevent muddiness. Chorus is the defining element of this riff; adding a Small Clone or basic analog chorus pedal in front of the amp will nail the exact watery warble. Distorted chorus/solo section: engage the amp's Overdrive channel switch.
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These settings are for a Harley Benton HR-20R. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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