Come as you are amp settings — Glarry Ga20
The Nirvana guitar tone for “Come as you are”, dialed in for a Glarry Ga20 with a PRS SE Custom 24. Studio version, Nevermind (1991)
1965 Fender Jaguar (neck pickup, DiMarzio PAF) → EHX Small Clone chorus → Boss DS-1 (chorus sections only) → Mesa/Boogie Studio .22 preamp (clean) → Crown Power Base 2 → Marshall 4x12
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 6 |
| Treble | 5 |
| Presence | 0 |
| Reverb | 0 |
| Master | 5 |
01Zoom G1X Four — Chorus (Small Clone emulation: 'Chorus' or 'CoronaCho')
This is THE sound. Deep, slow wobble. On Zoom, select 'Chorus' or 'CoronaCho' patch; push depth high, rate low. Stays on for entire song.
02Zoom G1X Four — Distortion (DS-1 emulation: 'DS-1X' or 'DistPlus')
Engaged ONLY for heavy chorus sections. Keep chorus ON underneath. Kick this in for the loud 'Come as you are' bursts.
The Glarry GA20 is a budget solid-state with limited headroom and a bright, thin voicing. Cobain's Mesa was a tube preamp run clean with warmth. Compensate by dropping treble from 6 to 5, boosting mid +1 to add body, and keeping gain at 2 for a clean-but-not-sterile platform. Your PRS humbuckers are hotter than Cobain's PAF, so the rolled-back tone knob (5) and volume (8) prevent it from pushing the amp too hard.
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These settings are for a Glarry Ga20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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