Come As You Are amp settings — Fojill Ga-20
The Nirvana guitar tone for “Come As You Are”, dialed in for a Fojill Ga-20 with a Ibanez GIO GRG170DX. Studio version, Nevermind (1991)
1965 Fender Jaguar (neck pickup, DiMarzio PAF) → EH Small Clone chorus → Boss DS-1 → Mesa/Boogie Studio .22 preamp (clean) → Crown Power Base 2 → Marshall 4x12
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 4 |
| Mid | 6 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 2 |
| Master | 5 |
01Chorus (RECOMMENDED — not currently owned)
CRITICAL for this tone — the Small Clone is THE sound of this riff. Any analog-voiced chorus works: TC Electronic Corona, Boss CE-5, or a $30 Donner clone. Depth high, rate slow. Leave ON for entire song.
02Distortion (your pedal)
Kick on ONLY for chorus sections ('Come as you are...'). Cobain used DS-1 with gain nearly maxed. Keep tone at noon to avoid fizz. Chorus pedal stays on underneath.
Your GRG170DX has hotter Infinity pickups than Cobain's PAF, so I dropped amp gain from the original 4-6 down to 3 and pulled treble back one notch to compensate for the brighter, higher-output signal. The Fojill GA-20 is a small practice amp with limited clean headroom — keep master volume moderate to avoid unwanted breakup on the verse sections. Mid pushed to 6 because the GA-20 is naturally scooped compared to the Mesa's mid-forward voicing.
Get this tone on your amp
These settings are for a Fojill Ga-20. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
Get ToneAdapt on Google PlaySong, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.