Come As You Are amp settings — Fender Twin Reverb
The Nirvana guitar tone for “Come As You Are”, dialed in for a Fender Twin Reverb with a Fender Player Stratocaster. Studio version, Nevermind (1991) — watery clean intro and main riff
1965 Fender Jaguar / 1969 Mustang (neck pickup, D standard tuning) -> EHX Small Clone -> Mesa/Boogie Studio Preamp / Crown Power Amp -> Marshall 4x12 cab
| Knob | Setting (0–10) |
|---|---|
| Bass | 6 |
| Mid | 6 |
| Treble | 4 |
| Reverb | 2 |
| Master | 4 |
01NUX MG-101 (Chorus Block)
In front of amp; emulate the EHX Small Clone with a slow, deep analog chorus voicing
02Distortion (Owned)
Bypassed for the main intro/verse riff; engage for the chorus and guitar solo
The Twin Reverb has naturally scooped mids and an extremely bright top end compared to the Mesa Studio Preamp/Marshall cab used on the record, so keep the bright switch off and pull treble down to 4. Using your Strat's neck pickup with the tone rolled down slightly to 8 softens single-coil snap to mimic Kurt's shorter-scale Mustang/Jaguar warmth. Chorus/solo section: kick on your owned distortion pedal while leaving the amp clean.
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These settings are for a Fender Twin Reverb. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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