Come As You Are amp settings — Fender champiom 25 II 25
The Nirvana guitar tone for “Come As You Are”, dialed in for a Fender champiom 25 II 25 with a Epiphone Les Paul Classic. Studio version, Nevermind (1991) — iconic watery clean intro and main riff
1965 Fender Jaguar / 1969 Mustang (D-Standard tuning, neck pickup) into Electro-Harmonix Small Clone into Mesa/Boogie Studio Preamp, Crown Power Amp, and Marshall 4x12 cab
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 6 |
| Treble | 5 |
| Reverb | 2 |
| Master | 5 |
01Onboard Chorus FX
Select the onboard Chorus voice on the Champion and set FX Level to around 7 for the deep Small Clone watery modulation
The Champion II 25 lacks a physical mid knob and presence control, so mids are handled by selecting the warm '65 Twin voice and slightly backing off the treble. Because your Epiphone Les Paul has darker humbuckers than Cobain's single-coil Mustang/Jaguar, rolling the guitar tone back slightly to 7 captures the dark, rounded attack without getting overly muddy. For the chorus part, use the Champion's onboard Chorus setting pushed high to replicate the deep EHX Small Clone sweep. Chorus stays active for the verse; switch to a distortion voice like 'Metal 2000' or an external DS-1 for the heavy chorus section.
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These settings are for a Fender champiom 25 II 25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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