Tone library / Nirvana / Blew

Blew amp settings — M-Vave Tank G

The Nirvana guitar tone for “Blew”, dialed in for a M-Vave Tank G with a Squier Classic Vibe 50s Telecaster. Studio version, Bleach (1989) — recorded December 1988 at Reciprocal Recording

Original rig

1968 Fender Twin Reverb (silverface, Jack Endino's studio amp) + Boss DS-1 Distortion + Univox Hi-Flier / Fender Mustang in Drop C tuning

Dry, gritty, sludgy grunge rhythm with thick low-end chug and aggressive upper-mid bite
Amp settings — M-Vave Tank G
CHANNELUS Clean amp model (Fender Twin style) + 2x12 Cab IRBRIGHToffBOOSToff
GAIN 2 BASS 7 MID 6 TREBLE 5 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain2
Bass7
Mid6
Treble5
Reverb0
Master7
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Guitar
PICKUPbridge TONE7 VOLUME10
Signal chain

01M-Vave Tank G (Distortion Module)

DS-1 style hard-clipping distortion block; serves as the primary gain source into the clean amp model.

Gain 8 · Tone 5 · Level 7
Why these settings

The original sound is a Boss DS-1 slammed into Jack Endino's clean Fender Twin Reverb, so keep the Tank G's amp model clean with gain at 2 and let the onboard distortion block do the heavy lifting. Your Squier Telecaster bridge pickup is naturally brighter and thinner than Kurt's humbucker-equipped Univox, so roll guitar tone back to 7 and bump bass to 7 on the amp block to capture that heavy, subterranean Bleach low end. Tune the guitar down to Drop C (C-G-C-F-A-D) as on the record to get the proper string slack and dark resonance.

PRO TIPBlew was accidentally recorded in Drop C (Drop D tuned down another whole step), giving the low strings extreme slack; strike the low C power chord with a heavy downstroke right near the neck-side of the bridge pickup to emphasize that muddy, percussive sludge.

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