Tone library / Neil zaza / Im alright

Im alright amp settings — Yuimer Kpt pro

The Neil zaza guitar tone for “Im alright”, dialed in for a Yuimer Kpt pro with a Yamaha Pacifica 112V. Studio version, Sing (1996) — Main Lead Melody

Original rig

Cort Neil Zaza signature (Seymour Duncan Custom Custom / '59) into Bogner Ecstasy / RB-01b preamp, Tube Screamer boost, stereo delay, and studio plate reverb

Singing, ultra-smooth liquid lead with warm mid-range sustain and polished top end
Amp settings — Yuimer Kpt pro
CHANNELLead / High-Gain Amp Model (Bogner/California style) + 4x12 Cab IRBRIGHToffBOOSToff
GAIN 7 BASS 5 MID 7 TREBLE 5 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain7
Bass5
Mid7
Treble5
Reverb0
Master7
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Guitar
PICKUPbridge TONE9 VOLUME10
Signal chain

01Overdrive Block (TS Style)

Used as a clean mid-boost to tighten the low end and add singing sustain into the high-gain amp model

Drive 2 · Tone 5 · Level 8

02Digital Delay Block

Set to roughly 380-400ms quarter note delay for spatial depth

Time 4 · Feedback 3 · Level 3

03Reverb Block (Plate/Hall)

Provides the lush studio atmosphere on the trailing notes

Decay 5 · Tone 5 · Mix 3
Why these settings

The Pacifica 112V's bridge humbucker has plenty of output, but rolling the tone knob slightly to 9 removes high-end spike to match Zaza's warm Duncan Custom Custom. The Kpt Pro's TS drive block pushes mid frequencies hard into the high-gain model to replicate the saturated, singing compression of a Bogner Ecstasy lead channel without getting muddy. Master reverb on the patch is kept wet via the onboard reverb block to mimic the 90s studio plate.

PRO TIPUse the fleshy part of your pick attack combined with smooth, wide wrist vibrato; picking slightly closer to the neck pickup softens transient clicks and enhances that seamless violin-like sustain.

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These settings are for a Yuimer Kpt pro. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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