Tone library / Motionless In White / Cyberhex

Cyberhex amp settings — Boss Katana 50 MkII

The Motionless In White guitar tone for “Cyberhex”, dialed in for a Boss Katana 50 MkII with a Esp Ltd Alexi-200. Studio version, Scoring The End Of The World (2022)

Original rig

PRS Custom 24 with humbuckers, Mesa Boogie Dual Rectifier / EVH 5150, Maxon OD808 for tightening, Noise Gate

Modern metalcore crunch with tight low-end, aggressive upper-mids, and digital/industrial edge
Amp settings — Boss Katana 50 MkII
CHANNELBrown amp typeBRIGHToffBOOSTon
GAIN 7 BASS 4 MID 6 TREBLE 6 PRESENCE 5 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain7
Bass4
Mid6
Treble6
Presence5
Reverb0
Master7
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Boss Katana Noise Gate (built-in)

Access via Tone Studio software - essential for tight stops in this track

Threshold 5

02Boss ML-2 Metal Core

Use as primary dirt source; set Katana to Clean channel with gain at 2 to avoid mud from double-gain stacking

Low 4 · High 6 · Level 7 · Dist 6
Why these settings

Your ESP Alexi-200 has hot passive humbuckers that will push the ML-2 hard, so I've backed off the pedal's Dist to 6 instead of maxing it. The Katana's Brown channel with boost approximates the tight EVH/Mesa high-gain response. Keep bass conservative at 4 to maintain definition in Drop G# tuning—the original is tight, not boomy.

PRO TIPUse your palm muting position closer to the bridge saddles than usual—this track's guitar tone relies on extremely tight, percussive chugs with minimal string ring. Also access the Katana's built-in graphic EQ via Tone Studio and cut 250Hz by 2-3dB to reduce mud in the low tuning.

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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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Song, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.

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