Billie Jean amp settings — Neural DSP Archetype Cory Wong
The Michael Jackson guitar tone for “Billie Jean”, dialed in for a Neural DSP Archetype Cory Wong with a Ibanez AZ2402. Studio version, Thriller (1982) — funk rhythm guitar (David Williams)
Fender Stratocaster (middle or neck+middle position) direct into Harrison/Neve console channel strip preamp via custom DI with heavy studio outboard optical compression (Teletronix LA-2A / Urei 1176)
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 4 |
| Mid | 5 |
| Treble | 7 |
| Reverb | 1 |
| Master | 8 |
01The Postal Service (Compressor block)
Engage the built-in compressor in Archetype Cory Wong to recreate the tight studio console squash
The original Billie Jean rhythm track was tracked direct-to-desk with aggressive studio compression rather than through a traditional miked tube amp. In Archetype Cory Wong, 'The Clean Machine' set low mimics that ultra-linear, pristine console DI path, while rolling bass back to 4 prevents low-end flub during fast 16th-note muting. Engaging the plugin's compressor block with fast attack and high sustain nails the percussive, snappy transient snap of David Williams' Stratocaster.
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These settings are for a Neural DSP Archetype Cory Wong. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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