Billie jean amp settings — Line 6 Floor pod plus
The Michael jackson guitar tone for “Billie jean”, dialed in for a Line 6 Floor pod plus with a Ibanez SR300E. Studio album version, Thriller (1982) — iconic main bassline
Louis Johnson's Music Man StingRay (direct with flatwounds) doubled with Greg Phillinganes on Yamaha CS-80 / Minimoog bass synthesizer
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 7 |
| Mid | 6 |
| Treble | 3 |
| Reverb | 0 |
| Master | 6 |
01Compressor (Floor POD Plus internal)
Direct in signal chain — clamps the transient to mimic the tight synth envelope
02Noise Gate (Floor POD Plus internal)
Tight gate ensures staccato separation between notes
The original track layers an electric bass with analog synthesizers, creating a very punchy, staccato, rounded tone without high-end fret sizzle. Using the Line 6 Floor POD Plus on a neutral Tube Preamp setting with rolled-off treble captures the warmth without clipping, while fast compression mimics the synth envelope. Your Ibanez SR300E's active Power Tap switch should be set to Series/Humbucking mode with the onboard treble cut slightly to remove modern brightness.
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These settings are for a Line 6 Floor pod plus. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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