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Seek and destroy amp settings — Roland JC-40 Jazz Chorus

The Metallica guitar tone for “Seek and destroy”, dialed in for a Roland JC-40 Jazz Chorus with a ESP LTD KH-202 Kirk Hammett. Studio version, Kill 'Em All (1983)

Original rig

Hot-rodded Marshall JMP/2203 head, Gibson Flying V with stock humbuckers, Ibanez Tube Screamer, wah pedal

Aggressive early-thrash crunch with scooped mids, tight low end, and biting high-frequency attack
Amp settings — Roland JC-40 Jazz Chorus
BRIGHTon
GAIN 0 BASS 5 MID 3 TREBLE 7 PRESENCE 0 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain0
Bass5
Mid3
Treble7
Presence0
Reverb0
Master6
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01High-Gain Distortion (Boss DS-1 or similar)

RECOMMENDED — not currently owned. The JC-40 is a pristine solid-state clean amp with zero breakup; without a distortion pedal, this tone is unobtainable. A Boss DS-1, MXR Distortion+, or ProCo RAT will get you in the ballpark.

Tone 7 · Level 8 · Dist 8
Why these settings

The JC-40 has no gain stage and will not distort at any volume—it's designed for crystal-clean headroom. The original Marshall tone came from preamp saturation at high gain (8+). All drive must come from an external distortion pedal into the JC-40's clean platform. I raised mid slightly from the original's deep scoop (2.5) to 3 because the JC-40's EQ is already neutral/scooped compared to a Marshall's mid-forward voicing; going lower would sound thin. Treble dropped from 8 to 7 because the JC-40's treble circuit is brighter than a Marshall's.

PRO TIPPalm-mute aggressively right at the bridge saddles for that tight, percussive 'chunk'—Hetfield's right-hand precision is half the tone on this track, not just the gear.

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These settings are for a Roland JC-40 Jazz Chorus. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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