Master of Puppets amp settings — Digitech Death Metal
The Metallica guitar tone for “Master of Puppets”, dialed in for a Digitech Death Metal with a Juarez Stratocaster. Studio cut, Master of Puppets (1986) - Kirk Hammett main lead guitar solo
Mesa/Boogie Mark IIC++ head (Lead A) slaved into Marshall JCM800 100W power section + Marshall 4x12 cabs (G12T-75), Jackson Randy Rhoads V with EMG 81, Ibanez TS9 Tube Screamer, Dunlop Cry Baby wah
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 5 |
| Mid | 4 |
| Treble | 7 |
| Reverb | 0 |
| Master | 6 |
01DigiTech Death Metal
Used as primary high-gain distortion generator; fixed extreme gain circuit provides necessary Mark IIC++ saturation
02DigiTech RP90
Set Amp model to Direct/Bypass or clean flat response, engage Cry Wah / 100ms slap delay on solo passages
The DigiTech Death Metal has a fixed ultra-high gain architecture with active 3-band EQ, mirroring the aggressive Mesa Mark IIC++ preamp circuit. To counteract the bright single-coil bridge pickup of the Juarez Strat, treble/high is set to 7 while keeping mid at 4 to provide tight cut without harshness. Run the Death Metal into the RP90 with amp modeling bypassed to add the essential wah sweep and subtle delay.
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