Fade to black amp settings — Amplificador PG-15 20W
The Metallica guitar tone for “Fade to black”, dialed in for a Amplificador PG-15 20W with a Stratocaster fender HSS. Studio version, Ride the Lightning (1984) — heavy rhythm section, not the acoustic intro
Gibson Flying V (Hetfield) / ESP 400 Series (Hammett) → Boss DS-1 → Marshall JCM800 2203, Dunlop Cry Baby for solos
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 4 |
| Mid | 4 |
| Treble | 6 |
| Presence | 0 |
| Reverb | 0 |
| Master | 5 |
01Mooer GE100 — Distortion Block (DS-1 model or 'US Metal')
Select the DS-1 or closest high-gain distortion model. This is your primary gain source — amp stays clean to avoid mud. Run guitar → GE100 → amp input.
02Mooer GE100 — Wah Block (for Hammett solo sections)
Engage only for the lead solo sections. Cry Baby style. Expression pedal sweep if available; otherwise use auto-wah with slow rate.
03Mooer GE100 — Noise Gate
Essential for tight thrash palm mutes — kills fizz between riffs
The PG-15 is a basic solid-state practice amp with limited headroom and no channel switching — it cannot produce JCM800 crunch on its own. All gain comes from the GE100's distortion block; amp gain is set low (3) to stay clean and let the pedal do the work. Your Strat's HSS bridge humbucker approximates the Flying V output, but single-coil hum may require the noise gate. Treble pushed to 6 compensates for the PG-15's darker voicing vs a Marshall's natural bite.
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These settings are for a Amplificador PG-15 20W. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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